Tuesday, January 31, 2012

30 DAYS OF NIGHT

Okay, I know the word "vampires" has acquired a bad taste in everyone's mouth thanks to films such as the Twilight series making such a joke of the lore -- or at least it has to me. In my opinion, vampires have become another gimmick in the movie and television business rather than a classical (as in respected) horror creature/race.

But in 30 Days of Night? It's the real deal.

Based on the graphic novel by Steve Niles and Ben Templesmith, 30 Days of Night is the story of a small (and I do mean small) Alaskan town that is plunged into darkness for thirty days every year. Many of the citizens are in the habit of leaving town prior to the last sunset -- but this year, those that are left behind after the airport closes are left to face an unthinkable horror...
One that they're unable to escape from for thirty days.

Let me begin by saying that this film was genuinely and extensively creepy, and that's saying something because not only have horror flicks failed in actually scaring the general public lately, but vampires have been done to death (pun not intended).

David Slade's adaptation of the graphic novel left me burrowing into my seat, eyes wide open, and heart racing (witnesses can confirm) -- and it had everything to do with the direction and cinematography (shout-out to Director of Cinematography, Jo Willems. We'll get to him later). While the vampires' physiques in the film weren't completely unlike previous interpretations (pale, blood stains around their mouth, pointy teeth, black eyes), their movements and mannerisms were definitely worth the title "creatures." Each actor and actress portrayed their vampiric roles as if they were animals: primal, predatorial, and organized hunters. Seeing them moving through the shadows and rooftops, communicating in their own language, made me feel like I was watching a pack of wolves on a hunt. It was a very interesting choice and -- with the many talented men and women actors executing it perfectly -- it paid off.
Not to mention Slade and his writing crew (shout-out to Stuart Beattie and Brian Nelson, who co-wrote the screenplay with Steve Niles) were able to give us something that is getting increasingly difficult to pull off in this day and age: A twist ending that I truly didn't see coming. Kudos to you, boys. You did good.

Jo Willem's cinematography, as I said before, is what really made this film cringe-worthy. Nearly every shot sent a chill down my spine. The most impressive and effective shots were from above, looking down on the blood-stained streets and chaos as the vampires fed. It was heartbreaking.

Now that isn't to say that this film isn't without its flaws. As the unofficial requirement goes, a romantic connection was attempted between the two main characters, Eben and Stella Oleson (a separated married couple). While their relationship was, thankfully, downplayed, it still felt forced into the story and I didn't find it believable, nor did I care to see it delved into further. I was much too preoccupied with their struggles for survival. Also, I wasn't too impressed with Melissa George's performance as Stella Oleson. Throughout the film I kept trying to feel connected to or emotionally invested in her, but couldn't quite believe her to be someone I should care about. Every time her marriage to Eben (played by Josh Hartnett) was brought up in conversation I could feel myself rolling my eyes and hoping it would be brushed over.
I'll give them both the benefit of the doubt, though. Film adaptations of novels tend to rush or butcher at least one aspect of the story along the way so Stella's importance and the Oleson's relationship could have been one of them.

However, while George's performance wasn't spectacular, Josh Hartnett's was. Admittedly, he didn't look it at first, but Hartnett's character, Eben, quickly captured my attention and sympathy. I have to say his performance was by far the best in the film.

Overall 30 Days of Night was an incredible watch and I highly recommend it at your next late-night viewing. Just don't forget about the bowl of popcorn like I did. ;)

30 Days of Night 4 out of 5 stars.

1 comment:

Eamy said...

Rusty, but not horrible. =)

My first note is grammatical: "...have horror flicks fLailed in".

Secondly, an easier or smoother way to introduce the other people besides shout outs would probably work more smoothly.

Not everything is bad, I promise!

I am glad that you noticed the relationship felt misplaced in the story. The connection with Josh Hartnett's character was strong enough for you to care about him in the end. I did not care if they were married. =)

I watched this years ago and I still remember how creepy it was. Nice first choice! When you have the time, another Hartnett film I liked was Mozart and the Whale if you're looking for something that doesn't make romance annoying. ^_^